And so made significant . . .

around the world, and through the centuries

2 October

1712
Edmund Harrold,
wigmaker

‘I obs[erve] that there is a many ways to spend ones time, but ye best and most comfortable way is in reading, praying and working, for ye devills always busie wth ye idle person leading him to lust, drunkenness etc.’

Did wife 2 tymes

**************************************************************************************

1886
Francis Turner Palgrave,
civil servant and poet

[Dorchester] ‘Walked with Frank through twilight to Winterbourne Came: a pretty little thatched house among trees. I was allowed to go up to the great aged poet in the bedroom which - at eighty-four and with now failing bodily strength - he is not likely to quit. Mr. [William] Barnes had invited me when Frank visited him last Christmas, and truly glad was I, and honoured did I feel, to accomplish it. A very finely cut face, expressive blue eyes, a long white beard, hands fine like a girl’s - all was the absolute ideal of a true poet. Few in our time equal him in variety and novelty of motive: in quantity of true sweet inspiration and musical verse. None have surpassed him in exquisite wholeness and unity of execution. He was dressed in red with white fur of some sort, and a darker red cap: Titian or Tintoret had no nobler, no more high born looking sitter among the doges of Venice. His welcome was equally cordial and simple; and, despite his bodily weakness, the soul, bright and energetic, seemed equally ready for death or for life. He talked of his visit to Tennyson; of his own work, saying he had taken Homer, and him only, as his model in aiming at choosing the one proper epithet when describing: also his love for the old pure English. I shall remember this most interesting half-hour all my life, and my dear Frank, I trust, will remember it many years beyond me.’

Professor of poetry

**************************************************************************************

1886
Pyotr Ilyich Tchaikovsky,
composer

‘I bow before the greatness of some of his works, but I do not love Beethoven. My attitude towards him reminds me of how I felt as a child with regard to God, Lord of Sabaoth. I felt (and even now my feelings have not changed) a sense of amazement before Him, but at the same time also fear. He created heaven and earth, just as He created me, but still, even though I cringe before Him, there is no love. Christ, on the contrary, awakens precisely and exclusively feelings of love. Yes, He was God, but at the same time a man. He suffered like us. We are sorry for Him, we love in Him His ideal human side. And if Beethoven occupies in my heart a place analogous to God, Lord of Sabaoth, then Mozart I love as a musical Christ. Besides, he lived almost like Christ did. I think there is nothing sacrilegious in such a comparison. Mozart was a being so angelical and child-like in his purity, his music is so full of unattainably divine beauty, that if there is someone whom one can mention with the same breath as Christ, then it is he. . . It is my profound conviction that Mozart is the highest, the culminating point which beauty has reached in the sphere of music. Nobody has made me cry and thrill with joy, sensing my proximity to something that we call the ideal, in the way that he has. . . In Mozart I love everything because we love everything in a person whom we truly love. Above all I love Don Giovanni, as it was thanks to this work that I found out what music is. Until then (till the age of 17) I had known nothing apart from pleasant Italian semi-music. Of course, whilst I do love everything in Mozart, I won’t claim that every minor work of his is a masterpiece. No! I know that any one of his sonatas, for example, is not a great work, and yet I love every sonata of his precisely because it is his - because this musical Christ touched it with his radiant hand.’

Tchaikovsky’s poison

**************************************************************************************

1914
Sophia Tolstoy,
wife of writer

‘My sister Tanya has left. A beautiful still bright day. I went out and wandered around the estate. People have planted apple trees, gathered up brushwood, raked the dead leaves and swept them into four piles. We read papers. There were six visitors today - some officers and army doctors and two women. They looked round the drawing room and Lev Nik.’s rooms.’

He was my diary

**************************************************************************************

1922
Karl von Terzaghi,
engineer and geologist

‘I must thank the Creator that I pass the threshold of the 40th year of my life as a mature man who has made his talents unfold and has already realized to a large extent the goals, of which he dreamed in his youth. In this summer I had the feeling of being on top of life. My achievements are beginning to receive the recognition and attention which they deserve. The publications of the total results of my previous research and thinking ensured. And the unnatural relationship with my wife cleared up. On September 14, I arrived in Constantinople. There following two weeks appeared to me like one year as a result of the variety of events. The old love to Olga struggled with the indignation at her behaviour and the indignation succeeded.’

Power of a lion

**************************************************************************************

Pikle - The Diary Review - The Diary Junction - Contact

And so made significant . . .
and its companion websites -
The Diary Review
and The Diary Junction - are maintained privately without any funding or advertising. Please consider supporting their author/editor by purchasing one or more of his books in the
Not a Brave New World trilogy.
Thank you
.

Not a Brave New World is an extraordinary fictional memoir, a trilogy in three wives, spanning the whole of the 21st century: one man’s - Kip Fenn’s - frank account, sometimes acutely painful and sometimes surprisingly joyful, of his three partners, and his career in international diplomacy working to tackle the rich-poor divide.

GILLIAN - Book 1 - Amazon (US/UK)
Kip Fenn’s first love is in a coma. His father suddenly isn’t his father. After formative trips to Brussels and Brazil, Kip wins a civil service job. Unfortunately, a media baron discovers his sexual weakness and is blackmailing him for government secrets. If only Kip could find solace in his wife’s arms or joy in his children.

DIANA - Book 2 - Amazon (US/UK)
Kip Fenn is a success: his career has taken off within a major UN agency trying to spread wealth from the rich to the poor. But all is not well with the world - the golden age of oil and chips is now over, and unsustainable development is leading to social turmoil, and to world war. Kip has found love and a new family, but he can find no way to stop his older children self-destruct; nor does he realise his partner’s deceit.

LIZETTE - Book 3 - Amazon (US/UK)
Third time lucky - Kip Fenn finds true love. His UN career though is ending with a whimper. Another terrible war is cut short by the devastating Grey Years, and while nations rebuild many individuals turn Notek. In restless retirement, Kip’s lifelong passion for vintage photos sees him launching a new arts institution. But who is the mysterious visitor by his bedside, and how will she affect his planned deathday?

FULL CALENDAR

And so made significant . . .
is the world's greatest online anthology of diary extracts. It is presented in the same way as popular books like The Assassin’s Cloak and The Faber Book of Diaries, i.e. by calendar day, but contains more, and many longer, extracts than is possible in published books. Moreover, for each quoted extract there’s a link to a Diary Review article with some or all of the following: further extracts, biographical information, contexts, a portrait, and links to online sources/etexts. Furthermore, new extracts are added on a regular basis.

in diary days

SUPPORT THE EDITOR!

ABOUT, SOURCES, LINKS

Notes and Cautions
In general, these diary extracts are quoted as given in the published (book or online) source referred to in the reference articles. Each extract may be all, a large part of, or a small part of the complete entry for that day. I have tried to indicate where text has been removed from within a quote by the use of trailing dots in square bracket.

For any other use of these diary extracts other than browsing please refer to the original sources.

Any author, publisher or other copyright holder who takes the view that I am unacceptably breaching their copyright please let me know. I have tried to remain sensitive to copyright rules (using far fewer quotes, for example, when a book, by an author still alive, remains in print and popular), but it is not practical for me to seek authorisation for every quote and article, since I maintain these websites without any funding or advertis-ing. I take the view that publicity for the source books is a quid pro quo for my use of the extracts, but I am more than happy to remove the extracts if asked.

SITE DEVISED by Paul K Lyons

The Diary Junction is one of those wonderful privately maintained public resources for which the Internet is justly celebrated: a database of information about celebrated and obscure diaries[over 500] from all historical periods, with referrals to the dates the diaries cover, where the originals are held and bibliographic information on published versions.’ Laura Miller, Salon

The Diary Review, hosted by Blogger, publishes magazine-style articles on diaries and diarists, usually several every week. The blog has been publishing for over five years, and is the secondary source for the diary extracts in this online anthology.