And so made significant . . .

around the world, and through the centuries

8 February

1854
John Ruskin,
writer and art critic

‘Began description of valley of Chamouni and finished my rocks at Glen Finlas [in the Ashmolean Museum]. Went up with Sophy to Mr Griffiths and saw a wonderful Turner, of a Diligence deep in snow by moonlight and firelight [probably The Dover Mail]. . .’

John Ruskin’s birthdays

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1869
John Ruskin,
writer and art critic

‘How utterly sad these last birthdays have been, in 67 and 68. I am not much better today, but in better element of work. Wild wind and dark morning. I proceed to botanize.’

John Ruskin’s birthdays

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1873
John Ruskin,
writer and art critic

‘The sun does not rise by ten minutes, her to that time, we so westing, and the days last already till full six, with long twilights.

Yesterday glorious walk in snow to the tarn in hollow - Goat’s water - and not in the least touched with fatigue by a mile’s row and six mile’s walk up sixteen hundred feet; and write this and my Greek notes at 7 in the morning, sans spectacles. [. . .] I must try to make my daily life more perfect as I grow old.’

John Ruskin’s birthdays

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1930
Robert Musil,
writer

‘Art has to have an immediate effect! This is one of the most dangerous prejudices. Yet it remains a goal that one constantly tries to achieve. After all, it wouldn’t be difficult to analyze what is required of something to have an immediate effect. The most difficult thing about this is somewhat like a meeting. The immediate impression that some people give is that of peace, sublimity, etc., and this is what is demanded of art. People want to be won over from the very first word, etc. This is not completely unjustified but leads to neglect of books that are demonic, Titanic, (unpleasant) and so forth.’

A man with qualities

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1942
Joseph Goebbels,
politician

‘Rosenberg wrote me a letter stating that he intends to oppose the idea of a fight against the religious denominations. That’s really too funny for words! Now, when we are in a tight pinch, everybody poses as a champion who fights against the very things that he himself started. I suppose the final result will be that those of us who have for years opposed the folly of our pronouncements on the religious question and similar things will be regarded as the real originators of the difficulties resulting from this folly!’

The Nuremberg ten

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1950
Guy Liddell,
intelligence officer

‘[Fuchs] has told us that his Russian contact in London is known by the name of ALEXANDER. We believe him to be Alexander KRAMER. He also said that he was told, if he wished for a further meeting, to throw a magazine into a garden in Kew with an indication of the rendezvous on page 10. [. . .] If a meeting was to take place there would be a chalk mark on a local lamp post. This is interesting as it is the same technique given by . . . to SHAG. Lastly, FUCHS made it fairly clear that he does not intend to go back on his confession.’

He shines in the dark

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And so made significant . . .
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And so made significant . . .
is the world's greatest online anthology of diary extracts. It is presented in the same way as popular books like The Assassin’s Cloak and The Faber Book of Diaries, i.e. by calendar day, but contains more, and many longer, extracts than is possible in published books. Moreover, for each quoted extract there’s a link to a Diary Review article with some or all of the following: further extracts, biographical information, contexts, a portrait, and links to online sources/etexts. Furthermore, new extracts are added on a regular basis.

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Notes and Cautions
In general, these diary extracts are quoted as given in the published (book or online) source referred to in the reference articles. Each extract may be all, a large part of, or a small part of the complete entry for that day. I have tried to indicate where text has been removed from within a quote by the use of trailing dots in square bracket.

For any other use of these diary extracts other than browsing please refer to the original sources.

Any author, publisher or other copyright holder who takes the view that I am unacceptably breaching their copyright please let me know. I have tried to remain sensitive to copyright rules (using far fewer quotes, for example, when a book, by an author still alive, remains in print and popular), but it is not practical for me to seek authorisation for every quote and article, since I maintain these websites without any funding or advertis-ing. I take the view that publicity for the source books is a quid pro quo for my use of the extracts, but I am more than happy to remove the extracts if asked.

SITE DEVISED by Paul K Lyons

The Diary Junction is one of those wonderful privately maintained public resources for which the Internet is justly celebrated: a database of information about celebrated and obscure diaries[over 500] from all historical periods, with referrals to the dates the diaries cover, where the originals are held and bibliographic information on published versions.’ Laura Miller, Salon

The Diary Review, hosted by Blogger, publishes magazine-style articles on diaries and diarists, usually several every week. The blog has been publishing for over five years, and is the secondary source for the diary extracts in this online anthology.