And so made significant . . .

around the world, and through the centuries

30 August

1891
William Grant Stairs,
explorer

‘Marched from 5:15 am until 10:15 am, when we arrived at Itura with my caravan dying of thirst and exhaustion. In the wells there was no more than a small ribbon of water. An Arab whose caravan preceded ours assured the natives along that route that we rob the natives. The result is that only with the greatest difficulty have I been able to buy any food. And to think how kind and courteous I have been to the Arabs.’

Marches without water

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1902
Apolinario Mabini,
lawyer and politician

‘I have been notified by the Captain about a letter from the Governor, saying that the latter had no authority to send us to Manila, without having taken our oath. He says he must transmit my wishes to the Commander General of the Philippine Division through the next ship and most likely, the response will be received here by the end of December. If the reply is favorable, we could embark in January. Be patient, this could be “a blessing in disguise” as the saying goes. It is worth knowing that a proclamation of the President of the United States, endorsed by the branch Secretary, cannot be interpreted nor implemented to the letter.’

Philippine’s first prime minister

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1908
Bernard Leach,
potter and teacher

‘Question: What is the greater - the artist (Raphael) who appeals to all the multitude and the senses or the artist (Blake) who appeals only to the highest minds. What the devil has the ‘mot’ to do with art? What is the ratio between art and humanity? Is art any use? Is anything any use? To live happily one must take it for granted it is!’

Leach: Is art any use?

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1945
Jean Cocteau,
artist and director

‘I woke up with a start in the night. It was raining. I suddenly realized a mistake I had made, which I must correct without anybody noticing it. If they did they would lose confidence in me. I am not a real director and probably never shall be. I get too interested in what is happening. I begin to watch it as though it were a play. I become a part of the audience and then I forget all about the continuity. I have forgotten the continuity of movement where Marcel André mounts his horse. So that we can still use that shot, I shall have to cut a bit of Nane Gernon at the window. She will have to say her lines again and then leave the window, so that Marcel in the next cut can make his movement. This means I shall finish up behind the horse when he mounts it and says ‘And you, Beauty, what shall I bring you?’

Beauty and the Beast

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And so made significant . . .
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And so made significant . . .
is the world's greatest online anthology of diary extracts. It is presented in the same way as popular books like The Assassin’s Cloak and The Faber Book of Diaries, i.e. by calendar day, but contains more, and many longer, extracts than is possible in published books. Moreover, for each quoted extract there’s a link to a Diary Review article with some or all of the following: further extracts, biographical information, contexts, a portrait, and links to online sources/etexts. Furthermore, new extracts are added on a regular basis.

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Notes and Cautions
In general, these diary extracts are quoted as given in the published (book or online) source referred to in the reference articles. Each extract may be all, a large part of, or a small part of the complete entry for that day. I have tried to indicate where text has been removed from within a quote by the use of trailing dots in square bracket.

For any other use of these diary extracts other than browsing please refer to the original sources.

Any author, publisher or other copyright holder who takes the view that I am unacceptably breaching their copyright please let me know. I have tried to remain sensitive to copyright rules (using far fewer quotes, for example, when a book, by an author still alive, remains in print and popular), but it is not practical for me to seek authorisation for every quote and article, since I maintain these websites without any funding or advertis-ing. I take the view that publicity for the source books is a quid pro quo for my use of the extracts, but I am more than happy to remove the extracts if asked.

SITE DEVISED by Paul K Lyons

The Diary Junction is one of those wonderful privately maintained public resources for which the Internet is justly celebrated: a database of information about celebrated and obscure diaries[over 500] from all historical periods, with referrals to the dates the diaries cover, where the originals are held and bibliographic information on published versions.’ Laura Miller, Salon

The Diary Review, hosted by Blogger, publishes magazine-style articles on diaries and diarists, usually several every week. The blog has been publishing for over five years, and is the secondary source for the diary extracts in this online anthology.