Pravda, Hana ___ 1918-n/a ___ Czech ___ actor

BIOGRAPHICAL SUMMARY
There is very little information about Hana readily available on the internet. She was born at her grandparents' house in Prague, into a middle class Jewish family. Her father trained as a lawyer but joined the Austro-Hungarian army; her mother died while she was still at school. Still a teenager, Hana acted in her first film, and then studied acting in the Soviet Union. There she fell in love with Sasha Munk, and the two of them returned to German-occupied Czechoslovakia in 1939. In 1942 they were captured and interned in various camps. Hana survived the war, but Sasha died at Kraslice, only days before the Germans surrendered in May 1945. Subsequently, she returned to acting. She married George Pravda, and they emigrated to the United Kingdom, where she appeared frequently in television series.
One biography link
Wikipedia bio

DIARY DATES, CONTENT DESCRIPTORS
1945 ___ love/sex nazism

WEB TEXT LINKS
about and one short quote
about and some quotes
 

ORIGINAL MANUSCRIPT LINKS
Imperial War Museum

SOME PUBLISHED TITLES
I Was Writing This Diary For You, Sasha
 

December 2006, July 2008
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IMPORTANT NOTES AND CAUTIONS: 1) The first line of basic information may be incomplete in several ways: some historical figures have different names (titles, pen-names); their birth and death dates may be unknown or uncertain (g - guess, c - circa); similarly, their occupations may be unknown, or they may have had other jobs; and, for early diarists, I've used 'British' a bit too freely. 2) The biographical summary may not be accurate. It was compiled quickly from various sources, mostly on the internet, and the facts were not checked anywhere near as rigorously as they would have been if they'd been intended for publication in a printed form. 3) The journal dates and descriptors (which are in no particular order) must be treated with caution: since I have not examined the diaries myself, the descriptors are only guesses based on bibliographies, anthologies and internet biographies. 4) For the biography and etext links, I have ignored any sites with charges, and I have avoided, wherever possible, those with pop-ups or too much advertising. I have limited myself to providing three etext links where there is some variety between them. 5) For the original manuscript links, I have limited myself to providing a maximum of two (although, for a few diarists, their original diaries are held in more than two places). 6) I have provided the titles - chosen randomly - for up to three printed editions of the diaries.